Da Vinci Believed Art Was Indisputably Connected With Science and Nature
Editor's Note: Dr. Shelley Chen is an fine art historian. The article reflects the author'southward opinion and not necessarily views of CGTN.
"In the normal course of events many men and women are built-in with remarkable talents; just occasionally, in a mode that transcends nature, a single person is marvelously endowed by Heaven with beauty, grace and talent in such affluence that he leaves other men far behind, all his actions seem inspired and indeed everything he does clearly comes from God rather than from human skill. Everyone acknowledged that this was truthful of Leonardo da Vinci, an creative person of outstanding concrete dazzler, who displayed space grace in everything that he did and who cultivated his genius so brilliantly that all problems he studied he solved with ease."
Giorgio Vasari (1511-1574), the 16th-century Italian fine art historian in his about famous treatise Lives of the Artists introduced Leonardo da Vinci (1452-1519) with the above words.
Regarded as the "Renaissance Man" by many past and contemporary scholars, Leonardo is a polymath and main who embraced the Renaissance humanist ideal with a total centre. He was a keen lover of the invention, painting, and sculpting, as well every bit an enthusiastic scientist whose interests included mathematics, engineering science, anatomy, geology, astronomy, cartography, and botany.
Throughout his entire life, Leonardo kept traveling among various states and cities while was involved in the wars and battles of dissimilar rulers and kings. Despite going through these military conflicts and social turmoil, he remained a devotee of nature, who sought a perfect combination of fine art and scientific discipline in his most sincere representation of the world.
A brief review of the artistic life of Leonardo tin shed low-cal on the prolific and cosmopolitan career of the master. Leonardo was built-in of matrimony, a son of notary Piero da Vinci and a peasant woman in Florence.
At the age of 14, Leonardo became an apprentice in the workshop of Andrea de Verrocchio, the leading Florentine painter, and sculptor of his day. In 1482, Leonardo was sent by Lorenzo de'Medici to secure peace with Ludovico Sforza, Duke of Milan, from whom he received dissimilar projects, including designing the dome for Milan Cathedral and a high equestrian moment to Francesco Sforza.
A adult female views the immersive exhibition "Leonardo da Vinci - 500 Years of Genius" in Athens, Greece, March 15, 2019. /Xinhua Photo
A woman views the immersive exhibition "Leonardo da Vinci - 500 Years of Genius" in Athens, Greece, March xv, 2019. /Xinhua Photo
In Milan, he was commissioned to create several important artworks, such as Virgin of the Rocks and The Last Supper. With the overthrow of Ludovico Sforza in the Second Italian War of 1499, Leonardo fled Milan for Venice with his banana Salai.
Back to Florence in 1500, he established a workshop in the monastery of Santissima Annunziata where he created The Virgin and Kid with St Ann and St John the Baptist which won great adoration of the local spectators.
In Cesena in 1502, Leonardo acted equally armed services architect and engineer who produced topographical maps for military purposes.
Later in Florence, he rejoined the Club of Saint Luke and painted a mural of The Battle of Anghiari with Michelangelo designing its companion slice. At the same time, he also began to paint his masterpiece Mona Lisa. In his afterward years, Leonard spent much time in Belvedere in the Vatican in Rome where he created John the Baptist.
And in 1516, he entered the service of King Francis I of France who gave him the manor business firm Clos Luce where Leonardo died on May 2, 1519, in the presence of the then French king.
Leonard was acclaimed equally the greatest and most influential artist of the Renaissance period. Among all his masterpieces, Mona Lisa is his virtually well-known painting owing to the "eternal grinning" which was rendered by the subtly shadowed corners of the mouth and eyes. This kind of smile often appeared in Leonardo's works created during the commencement x years of the 16th century and became one of their almost prominent characteristics.
Being faithful to nature and its life beings, Leonardo emphasized accurateness in depicting homo figures. In the spring of 1489, he obtained a human skeleton which he examined in great detail, that enabled him quickly to become a principal of topographical anatomy.
People view the immersive exhibition "Leonardo da Vinci - 500 Years of Genius" in Athens, Greece, March 15, 2019. /Xinhua Photo
People view the immersive exhibition "Leonardo da Vinci - 500 Years of Genius" in Athens, Greece, March 15, 2019. /Xinhua Photo
As well his great artistic talent, Leonardo was also an accomplished scientist. In his 13,000 pages of notes and drawings, he recorded his life and travels besides as his continuous observation of nature in a fusion of art and science.
In 1490, he fabricated a drawing entitled The Vitruvian Man which depicts a man in two superimposed positions inscribed in a circle and square. The images show Leonardo'due south profound understanding of proportion in blending mathematics and fine art, and his representation of the relation of man to nature.
He celebrated the wonder of the universe equally he believed that man figures embodied essential symmetry which provided the master source of proportion for classical compages.
Nature had been an inspiration for Leonardo's drawings, scientific research, and inventions. For case, his favorite research subjects included the studies of water and flying birds. Leonardo represented the morphology and motion of water in many drawings.
The study of water further enabled the creative person to design machines that utilized its force. Similarly, he had maintained a long involvement in the flights of birds, and thus invented various flying machines with mechanical wings and parachutes.
The impact of Leonardo's masterpieces on the earth is enormous. He insisted on the ability of paintings and drawings which, he believed, could transcend the verbal expression. Combining fine art, science, and nature, Leonardo's works correspond the epitome of the Renaissance humanism while testifying his rich imagination, unique creativity, and immense talent.
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